Don Giovanni Staging Project
This production of Don Giovanni will highlight the destructiveness of misogyny, keep the reality of sexual violence at the forefront of discussion, and showcase the potential of empowered women to push back against oppression and violence.
Bibliography
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February 20, 2108. Accessed April 24, 2021. https://operawire.com/metropolitan-opera-2017-18-review-semiramide-elizabeth-
deshong-shines-in-disappointing-revival/.
Salazar, Francisco. “Artist of the Week: Pretty Yende.” Opera Wire, February 24, 2020. Accessed April 25, 2021.
https://operawire.com/__trashed-3/.
Tommasini, Anthony. “Review: Anna Netrebko Rings in the Year With a Met Gala.” The New York Times, January 1, 2020. Accessed
April 24, 2021. https://www.nytimes.com/2020/01/01/arts/music/review-anna-netrebko-met-opera.html.
Tommasini, Anthony. “Review: In This One-Man Opera, It’s All in His Head.” The New York Times, September 8, 2016. Accessed April
22, 2021. https://www.nytimes.com/2016/09/09/arts/music/review-david-lang-the-loser-brooklyn-academy-of-music.html.
Walder-Biesanz, Ilana. “Why ‘Tito’? Mozart Masterpiece Makes Rousing Comeback.” Classical Voice North America, April 10, 2019.
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fbclid=IwAR0NTU3GZ0vt0RgVSq6CQr6HMywBYk1OdRZjo5i-ttCRNyfzGP_K2U3Zkhs.
November 15, 2018. Accessed April 25, 2021.
https://www.nytimes.com/2018/11/15/arts/music/review-pearl-fishers-met-opera.html.
Gordon, Sarah. “The Many ‘Official’ Colors of the Suffrage Movement.” New York Historical Society Museum and Library, August 5,
2020. Accessed April 10, 2021. https://womenatthecenter.nyhistory.org/the-many-official-colors-of-the-suffrage-movement/.
Harer, Ingeborg. “Musical Venues in Vienna, Seventeenth Century to the Present.” Performance Practice Review: Vol. 8: No. 1, Article 8
(Spring 1995): 83-92.
DOI: 10.5642/perfpr.199508.01.08, https://scholarship.claremont.edu/cgi/viewcontent.cgi?article=1153&context=ppr.
Iverson, Susan V and Christin Seher. “Using Theatre to Change Attitudes Toward Lesbian, Gay, and Bisexual Students.” Journal of
LGBT Youth, 11:1 (2014): 40-61. DOI: 10.1080/19361653.2014.840765
Lemire, Jonathan. “Spruced-Up White House Rose Garden Set for First Lady Speech.” Associated Press, August 22, 2020.
Accessed April 22, 2021. https://www.usnews.com/news/politics/articles/2020-08-22/spruced-up-white-house-rose-garden-
set-for-first-lady-speech.
Pullinger, Mark. “Strongly Cast Revival of McVicar’s Enlightenment production of Die Zauberflöte at Covent Garden.” Bachtrack.com,
February 24, 2015. Accessed April 24, 2021.
https://bachtrack.com/review-zauberflote-brugger-zeppenfeld-werba-royal-opera-february-2015.
Salazar, David. “Metropolitan Opera 2017-18 Review – Semiramide: Elizabeth DeShong Shines in Disappointing Revival.” Opera Wire,
February 20, 2108. Accessed April 24, 2021. https://operawire.com/metropolitan-opera-2017-18-review-semiramide-elizabeth-
deshong-shines-in-disappointing-revival/.
Salazar, Francisco. “Artist of the Week: Pretty Yende.” Opera Wire, February 24, 2020. Accessed April 25, 2021.
https://operawire.com/__trashed-3/.
Tommasini, Anthony. “Review: Anna Netrebko Rings in the Year With a Met Gala.” The New York Times, January 1, 2020. Accessed
April 24, 2021. https://www.nytimes.com/2020/01/01/arts/music/review-anna-netrebko-met-opera.html.
Tommasini, Anthony. “Review: In This One-Man Opera, It’s All in His Head.” The New York Times, September 8, 2016. Accessed April
22, 2021. https://www.nytimes.com/2016/09/09/arts/music/review-david-lang-the-loser-brooklyn-academy-of-music.html.
Walder-Biesanz, Ilana. “Why ‘Tito’? Mozart Masterpiece Makes Rousing Comeback.” Classical Voice North America, April 10, 2019.
Accessed April 20, 2021.
https://classicalvoiceamerica.org/2019/04/10/clemenza-di-tito-in-los-angeles-and-at-the-met-review/?
fbclid=IwAR0NTU3GZ0vt0RgVSq6CQr6HMywBYk1OdRZjo5i-ttCRNyfzGP_K2U3Zkhs.
